التابو وتشكلاته الأنثروبولوجية في بنية العروض المسرحية ما بعد الحداثية

Abstract EN

(Tabu) is a positive term that belongs with its historical roots to the emergence of man since the early ages, as anthropology revealed the relationship between man and (Tabu) as the meeting points of those concepts that developed with the development of the social structure of man, as (Tabu) can change according to natural variables.

social, political, psychological, and even physical, as psychology shares that concept as well as politics, sociology and anthropology, so these sciences issue their dominances and effects on the human being as he lives in that environment that he is affected and affected by, and later on those taboos become value constants or inherited beliefs, or religious legislation through sacred texts imposes its sanctity on man.

based on the foregoing, the researcher tried to reveal the determinants of (taboo) and the mechanism of its formations anthropology in the structure of postmodern theatrical performances, by accessing the emergence of (taboo) and its forms and development, and then the mechanism of its formation in the structure of the postmodern theatrical performance anthropology, to reach the goals the desired through a set of indicators contributed to the description and analysis of one of the intended samples to reach the results and then conclusions and some recommendations and suggestions, then the margins, sources, references and appendices, then the research summary in English.