التثاقف بين النص و الإخراج في المسرح العراقي المعاصر : مسرحية "سور الصين" أنموذجا

Abstract EN

The research was concerned with studying (acculturation between text and directing in contemporary Iraqi theater-the play “the wall of china” as a model), and it contained four chapters.

the first chapter dealt with (the methodological framework), which dealt with the research problem that was identified by the following question : what is acculturation? and how his images were represented within the structures of the text and directing in the contemporary Iraqi theater?.

while the importance of the research was determined in presenting the concept of acculturation and transforming its sayings into a method of interpretation and analysis and its work in the field of theater, as well as monitoring the mechanisms of the Iraqi playwright / director’s dealing with theatrical texts and directing experiences that represent different cultures as importing theatrical texts whose cultural and pluralistic structure identifies with the structure and pluralism Iraqi society.

the aim of the research is to identify acculturation between text and directing in the contemporary Iraqi theater (the play “the wall of china” as a model), and then the temporal limits of the research that were set in the year (2013) AD, and the spatial in (Iraq), then the chapter concluded by defining and defining the terms.

the second chapter (theoretical framework) included two sections, the first topic concerned with studying the concept of acculturation through framing the outlets (acculturation : an epistemological journey in concept climates), and the second topic concerned with studying (the work of acculturation in theatrical discourse around the world.

the chapter concluded with the indicators that resulted from the theoretical framework the third chapter (the procedural framework) was devoted to defining the research sample.

the chapter also included the research method and the research tool, and the chapter concluded with an analysis of the play (the wall of china) by the playwright (max Frisch), which was prepared and directed by the Iraqi theater director (Arslan Darwish).

the fourth chapter dealt with the results, including : 1-the epic example came as a method of self-awareness in the presence of the other .

2-adopting the narrative and investing in Kurdish costumes, songs and dances.

the chapter also included conclusions, recommendations and suggestions, and concluded the chapter with a list of sources.