جمالية التفاعلات النصية في الخطاب الشعري المغربي القديم

Abstract EN

Moroccan poetry is an integral part of the Arab poetic discourse; it has gained importance from the aesthetics of its linguistics and expressive styles (graphical, aesthetic and poetic images) in addition to its varied and rich contents (lament, pride, praise, satire).

Moroccan poetic experience would not have achieved creative excellence and artistic uniqueness if it was not influenced by the Oriental poetic experience, and invested in its potential energies.

The Arabic poetry is one of its extraneous arts and its origin and development in the region came from the Islamic opening movement, which accompanied the region with important cultural changes.

Later, many poets have been formed in the region, they kept working on the Oriental creative movement, and this could not be done without interacting with their varied legacy (religious, literary, poetic, and prose).

The present research is a critical approach that aims at clarifying the textual relationsbetween some Moroccan and Oriental poetic texts.

The aesthetic system of Moroccan poetic expression explored the result of textual relations that it invested and created, and the old creative texts will be read through this modern technique called 'intertextuality'.