الإبداع فعل مقاومة : ذاكرة الجزائر في ثلاثية أحلام مستغانمي

Abstract EN

Narrative texts have emerged as a sophisticated visionary identity with aesthetic and artistic element in literature as interesting and suspenseful narrative discourse and as a textual structure charged with symbolism and creativity, and with many spectrums of connotations, meanings and values that embody in their entirety an artistically sophisticated work that extrapolates the past to build an aware, hopeful and challenging future.

The novel is considered one of the most prevalent and effective narrative forms in the literary scenes among readers, as it carries and expresses the details of the Arab man’s life: his pains and hopes, disappointments, dreams and aspirations.

It was also able to shorten large distances between literary genres, so it absorbed it in its narrative text, confirming its open-ness to the world.

Ahlem Mosteghanemi wrote her trilogy in mid-1988 to mid-2002, bring about a cultural event with a high degree of uniqueness.

The trilogy is a fictional fabric that is closer to the lament of the dream loss with a high sense of taste through a poetic image, and through a painful penetration into the national historical memory.

Likewise, the writer wrote about homeland, "Algeria" to reach the borders of the Arab world and the banks of the Arab tragedy