مقدمات المعلقات : مقاربة خطابية نصية من منظور سيميائية الأهواء

Abstract EN

The recognition of al-Mu'allaqat is recognition of the quality and acceptance that are the two pillars of poetic creativity and the representatives of its two main sides: the creator and the recipient, for we assume that the Mu'allaqat has challenged other poems and won over them.

More to the point, the tent of al-Nabigha al-Dhabiani did not disclose to us the criterion of selection, but only appeased itself with declaring approval as a random word has aroused a latent feeling in the recipient self.

Hence, it has reacted positively and shook for what suited its feelings and desires.

Ergo, the pleasure that the text evokes was a principal source of recognition of quality and acceptance, and since the influence was based on the first reaction, there is no doubt that poetry is an effect generated by emotion.

The Arab poet has began his speech with permission to reach the other, hoping to share with him the "sentimentalism" that exploded his potentials and stirred his passions and ushered them towards the creativity of performance; implicating his hidden motives in the process and revealing his sorrows and worries.

The introductions in the mu'allaqah are but the speech of suffering at the moment of recovery, where the self was split through the past and present, broadcasting the yearning and repressed feelings; which explains the weeping and complaining on which Ibn Qutaybah built his conception in the interpretation of the initiation and the construction of the old poem.

The moment of scattering at which the poet stood is the moment of emotional domination, the moment of revelation and the recognition that something stirred its passion , therefore it responded by poetry.