أسلوبية الإنزياح في شعر العصر العباسي الثاني : الباخرزي انموذجا

Abstract EN

Without a doubt, stylistics has represented one of the most important modern critical curricula that have emerged recently, adopted by critics as an effective mechanism for reading poetic texts and artistic literary works that those old critical curricula are no longer valid for reading, evaluating and judging them, accordingly, stylistics became the focus of everyone's attention.

From the creators of poets and critics after constructivism and others have proven their perception in that task.

On the other hand, the displacement theory has represented a basic pillar of critical and literary studies, especially modern ones, although in fact it is rooted in the ancient Arab heritage despite the different names that were given to it.

Accordingly, the displacement theory has become one of the most important modern poetic means and tools through which to judge the correctness of poetic experiences, their flaws, their evaluation, and their removal from the shadows of dusty shelves to the light of reading, especially if that displacement theory is closely related to the theory of the modern stylistic approach, as both The two approaches have proven their active presence in the modern and contemporary poetic arena as a strong guarantor of other poetic approaches, which prompted most contemporary critics to adopt the theory of stylistics and displacement as a main pillar for the study of poetic experiences, especially modern ones, even though it was projected on many ancient poetic experiences trying to make a kind of literary approach and consensus what Between legacy and contemporary.

From this point of view, this brief study was launched in one of its aims to try to apply the laws of the stylistic approach and link it with the laws of deviation theory in order to reveal the areas of creativity, mastery and unique poetic, in one of the most prominent poetic experiences in the late Abbasid era, that is the experience of the Abbasid poet Al-Bakhrzy, which left A distinctive poetic imprint - despite the lack of studies focused on it - in the poetry of the Abbasid era in particular, and Arab poetry in general, such experiences are sure to have in terms of getting out of every familiar speech, as they were one of the pillars of that general renewal Which affected the joints of life in general, and the Abbasid life in particular, and vertical Arabic poetry in particular.