الخطاب البصري في ديوان مواسم الشرق

Abstract EN

The poetry collection of Mohamed Bennis "the East Season" is a great addition of Moroccan and Arabic poetry, by skipping the traditional style of poetic writing as moved from audio to visual formation to given the artistic intellectual, and cultural changes; this transgression that effected oral culture to writing poetry witnessed the rhetoric of the letter to be the divan in response to the awareness of place and the writing space so the text and the formal are not separated, this study aims to know the poetic substitutions that contributed to building the creative experience that is based on adventure and transgression, in order to employ non-linguistic element with a focus on the aesthetics of whiteness and the rhetoric of erasure, so relied on the mechanisms of the semiotic method as well as interpretation and analytical method; to depths of this poetic experience which spirit of a new deal with creativity and the recipient in the midst a visual culture.

How did Bennis transfer the poetic discourse from the auditory rhythm to the visual that bets on the rhetoric of the erasure and the plastic element?