ملامح منهج غروتوفسكي في مسرحية (الوحل)‎ للمخرج (يوسف قواسمي)‎

Abstract EN

one who follows the course of theatre through successive periods of time clearly notices that it was and is still subject to experimentation and renewal, and it will not stop as long as the human world exists.

It should be noted that in the twentieth century, theatre knew a wide deep movement, especially at the level of performance.

Thus, it led to the emergence of many different directing curricula, the most important of which is the poor theatre curriculum.

In this article, we will try to focus on the principles and characteristics of this approach, and then deal with a model from Algerian theatrical experiments which tried to adopt the Grotovsky's style as a style that requires high concentration and rather hard training since it depends on movement, mime, corporal formations, gesture and dance.