البعد المفاهيمي للفنون البصرية وإشكالية التصنيف

Abstract EN

The first problematic we face in the contemporary art system of the world is the classification of contemporary experiences that have developed outside Europe and America.

we see the imbalance in the classification of every experience as a contemporary art or a new art form relative to the historical stages of art in the world, especially after the modern art in Europe.

by virtue of the general classification of any artistic activity in this age according to general philosophical phases, we call the art in the second half of the twentieth century the art of postmodern, here, the question can be asked about the Arab world's connection to modernity and postmodernity.

we can see the connections in the artwork, and because of the specifity of the Arab world in terms of its intellectual organizations, heritage and group affiliations, the issue of contemporary art is almost a historical classification.

although there are experiments that have intellectually withdrawn from the area of communication with aesthetic imaginary in the Arab world and its diversity.

we can say that art has become a universal language, and considerate all artistic experiences in the Arab world as a part of the world's artistic scene.