البعد الحسي في الأعمال الفنية لبول سيزان من خلال موريس ميرلوبونتي

Abstract EN

Paul Cezanne's creative works were not only works of art, but it was a realistic embodiment of everything that was visible, it is obligated to who was interested in his work, or those looking for an embodiment or transfer of what is perceived and embodied research in Cezanne’s works, to find the technical mechanism that he adopted in this regard, and explore all levels of characteristic transformation of them.

from this, we find in the case of French philosopher Merleau-Ponty the legitimacy of his dependence to this artist in the different stages of the embodiment of his (philosophy of feeling), and an attempt to reveal the significance of Cezanne's artwork and its conformity with the ideas of him as a philosopher.

the philosopher's meeting with the artist was during limited time, but all the artistic and philosophical common points was achieved.

how does Merleau-Ponty see to Cezanne artwork? how Cezanne can realized the sensual dimension of the world in reality? how Cezanne transformed the artistic dimension into expressive dimension?