الإخراج المسرحي بين النص و العرض : مسرحية يامنة نموذجا-للمخرجة صونيا

Abstract EN

Theatrical director is working on converting the signs of the text from signified and the significant to visual auditory motor signals.

In this study, the Researcher dealt with a play by the director Sonia as a model to study the mechanics of the director's work in converting the signs of the verbal text into dynamic signs.

Here we can point out one of the two positions adopted by the director in this drama.

Theatrical text is questionable since the beginning of the stage.

And they demanded to preserve it and translate it literally without prejudice to it, but the position of the pioneers revolted it and considered it one of the items of the complementary presentation, and here change the sign and take several indications, and uses the director and for that his tools and the special formations For animation, synography, lighting and even music, this is done according to the method of directing, starting from a specific directing approach, realistic or anti-realistic