المتناص مع خمريات أبي نواس و غزلياته في شعر أحمد شوقي

Abstract EN

Intertextuality is one of the new approaches to literary criticism that examines the relationship between texts.

This theory, proposed by Julia Kristeva in her critical discussions between 1966 and 1967, is now known as “Intertextuality”.

According to this theory, there is no stable text and every text is the result of interaction with its ancient or contemporary texts, or, in other words, every text is intertextual.

Ahmed Shawqi, the Prince of Poets of contemporary Arabic poetry, was raised among a host of Arabic literary works and benefited from the best of each poet.

He borrowed the description of wine and sonnets from Abu Nuwas.

This approach and attention has led to the formation of intertextual types and forms in his poems, which in all cases have been done consciously.

There are all three types of intertextual relations between the two texts and in this paper in addition to explaining the intertextual relations of Ahmed Shawqi's poems and (Khumriyat) Abu Nuwas in the form of “intertextual” critical theory, the impact of these poems on Ahmed Shawqi's poetry will be examined.