تباين انعكاس الصورة الفنية الدرامية

Abstract EN

This paper tries to investigate the two methods of artistic dramatic image reflection, intentionally, to reinvented regulations of the concept, that stood on coincide between the component of the artistic dramatic image composition, and the ways diverse of the constructing the artistic discipline and its intellect, and aesthetical dimension.

This concept confusion appears on the historical process of the artistic dramatic image, in the diverse of the value constructing structure, that appears in the artistic trends which depend on intellectual reference to the view point or intellectual, or philosophical, in its epistemological view and its ideal, or materialistic follows, no exception from these artistic dialectiques.

Marxist, or Hegelian and their supporters.

The result of the research comes to the following: The artistic image of the dialect nature stands on conflict between intellect and emotion.

Private and public, individual and plural, subjective and objective, awareness, and non-aware, materialistic and ideal......etc.

So, it is characterize with permanence, to react on its affect and tendency of decoding its significance, and codes and the way of functional structure on the two levels creativity and receipt.

This is in need of parallral structure and its interactive intellectual, emotional and aethitecal.therefore, in the way of dominance and the absence of totalitarian Theories, in addition to that the result of changings and total transformation, that stands for the difference of time and place and the amount of epistemological aesthetical and intellectual accumulation for the creative person and receipt.