مدارات المسرح في السودان التاثير و التاثر

Abstract EN

The researcher approach sudanes theater issue from the beginning until its current development.

He considers sundaes theater has been preferable to it is political social culture's circumference.

There after (regional - international Arabic circuit and it is not with knowledge and the sociology selfsame.

Ever the reason repeated itself because it forms by cultural reasons which enter with colonize.

where these practices appeared during colonize entering Egypt consider the historical cultural geography entrance to Sudan whereas Africanism depth not seminally in found and content because that phenomena's limited and consider as part of people life and it is spiritually relation with natural element.

Which can but it forms developed and growth or phonomenois formed as spawn but Sudanese theater appeared suddenly with its professional form throw the 21 SUST Journal of Humanities Vol.02.

No.

3 September (2019) ISSN (text): 1858-6724 e-ISSN (online): 1858-6732 foreign communities practices in spite of earlier and suffix currents which attempted to origin and found it as entity express about Sudanese identity unless it be limited not yet tripping from truism starts.

The researcher considers Sudanese theater take-in development by the Sam characteristic's which knew about in western theories and creeds as channel to search about specialty however by western philosophy the researcher attempt paper analyses and autopsy that political and social period which formed direct reason lead to appear Sudanese theater and its development in current form.

The researcher hopes to reach to results reinforce some previous ingredients which based on cognitive intellectual aesthetics and academic basics for Sudanese theater express about Identity.