قراءة في الابعاد السيميودلالية للعدوى الوبائية كورونا في الإنتاج السينمائي الأمركي : مقاربة التحليل النفسي

Abstract EN

The semantic process of cinematic film production is generally linked to a semantic field that refers in its intellectual references to cultural identities that reflect a civilized horizon.

Ideology, as two pillars, denotes intellectual perceptions that have been molded in a cinematic artistic creation with the imperative of communicative intentionality.

From these perspectives, the analytical, approximate critical reading of cinematic productions is an academic imperative, as it imposes a systematic and conceptual cognitive presence in the analysis of discourse between the linguistic and iconic dimensions of this film, even if the postmodern studies have moved from promoting a multidisciplinary approach to an appreciation of the allocation of specialization.

The psychoanalytic approach would identify the disordered, anonymous symptoms of the movie semantic representations, with the detection of the motives of the behavior and the interrogation of the linguistic signs that mask a neurotic or schizophrenic diagnosis.

From this section, we have endeavored in our research paper to highlight the conceptual, analytical and psychological approaches through a comprehensive reading of a sample of American film productions that dealt with events similar to the course of the changes occurring in our circumstantial context in line with the spread of the epidemic in order to stand on a common semantic core that reflects the hierarchies of American thought that do not Hollywood cinema is more than a mirror that reflects it