أثر الترميز الزخرفي الإسلامي في تشكيل المنابر و تزيينها

Abstract EN

The general characteristics that eliminated all artistic and architectural productions with a decorative artistic achievement was characterized by its Islamic affiliation, by activating the capabilities that permit the presentation of the aesthetic given, but within the limits of taking away the realistic dimension of artistic embodiments and formations and making them narrow within the limits of modification and decorative ion in order not to rise to the refineries of creativity of duty.

One of the limited technical methods adopted in the process of displaying, decorating and modeling craftsmanship, but the huge reservoirs that emerged from these data, we find that the surfaces of the occupied materials have been transformed into paintings that express the most beautiful forms of statement and composition, and from those surfaces the installations and aspects of the Islamic pulpit are distinguished with a moral specificity that combines in their artistic and professional structural components.

The course of the dominant, dynamic and directed character of the Muslim public, the fact that this moral symbol formed, with its decorative symbols, an important cultural and religious axis that took its striking position since the beginning of the Muhammadiyah call and its connection with that theme or charisma that dominates the overall intellectual and emotional formation of the Muslim self.