المسرح الجزائري المعاصر و رهانات التلقي : مسرحية "جي.. بي.. أس" لمحمد شرشال نموذجا

Abstract EN

The objective of this study is to highlight the relationship of the current Algerian recipient with the theatrical performances presented, and the hopes attached to it, in order to come back to mind with new and more realistic means and approaches that would meet the global transformations that cast shadow on the different arts, especially since we live in the era of the electrical circuit and digital cultural production.

It also tries to seek representations of theatrical performances that achieve polarization, and provide the necessary addition, similar to the "GPS" game that follows this trend.The Algerian theatrical projects presented and completed, which are in progress, are before a real bet to restore the recipient and try to attract him as an important card on which rests the success of the show, despite the state of abstention and deterioration observed in a period of contemporary Algeria, but despite the obscurity of the image that some are trying to establish, there is a new cultural movement, at the theater level in particular, which has started to take into account the importance of the recipient and to attract him by diversifying the performances, with special consideration of the interests of intellectuals and the public, and by investing all the technical means available.

That said, What are the theatrical experiences that have renewed the relationship with the Algerian receiver?.