إسلوبية الانزياح في الفنون الجدارية الرافدينية القديمة : بوابة عشتار إنموذجا

Abstract EN

This research is part of the stylistic approach to the theory of displacement, for the ancient Mesopotamian wall arts, including the frescoes or sculptures from them, to deal with the concepts and functions of the elements of wall art and the language of communication according to the concepts of displacement stylistics and the concepts and technical ideas used by which the ancient Rafidian artist could "penetrate" all Dividing lines and inserts ideas from reality brought about by the natural environment and gives a symbolic expressive image that defines the ancient Babylonian era, "the period of boundaries of research" and to be an alternative to the primitive visual culture to be replaced by a complementary artistic image capable of presenting models of mural art from which contemporary critical approaches take the integrated and interactive cognitive pattern to increase.

From artistic visions of the mural arts, through which the “transformations” of the ancient Mesopotamian society that reduces distances and time and emphasizes the abundance of spaces and effort to prove the creativity potential in all forms of art, whether in wall drawings,