جدلية الموروث و التجديد في قصائد الشعر الحر الأولى : قراءة في قصيدة : "قصة الأميرة و الفتى الذي يكلم المساء" لأحمد عبد المعطي حجازي نموذجا

Abstract EN

One poem from the first Diwan of the poet Ahmed Abdel Moti Hijazi, a poem entitled (the story of the princess and the youthful who talks to the evening).

the reading offers several interpretations of the poem ranging from subjective, social, nationalist and political.

reading is based on the assumption that the first generation of free poetry was not far from traditional poem techniques, and their experimental aspect was evident only in the aspect of musical renewal, which carried much difference from the previous one.

the experience of free poetry sought its legitimacy in the ancient, linking it to the very old, and how their attitude towards music prevented them from integrating into the whole experience, and its approach in vertical and horizontal studies sufficiently despite its long existence.

the paper studied the dramatic reading and reliance on dialogue in the poem, and the artificiality of the poet in taking the role of the narrator, and the dependence of the poet hero to gain by singing with a reference to the era of the first poetic innocence, and that in the process of getting benefited from neighboring arts.

the poem did not present a perfect image of the princess, nor did it present a prophetic image of the poet.

it also focused on the interest in meaning and its presentation in a focused way that shows how the superiority of the message of poetry was not in the beginning, before most texts were involved in blinding and riddles.

the poem took care of meaning, as well as employed musical values well before the poems were then confined to very limited poetic feet.