بين صدق الورق و إبداع السينما : الشمس في يوم غائم ل-حنا مينا-أنموذجا

Abstract EN

The changes that the cinema operates in the novel are inevitable changes, and the visual space will move away from the visual space in paper.

We will be in front of a certain number of feelings and emotions that the remoncier ignored and shown by the director of the film when he tries to prove himself and his genius in front of the public to such an extent that he violated the original text and the also bypassed and be trayed.

When we are between the novel and the film;we are faced with the symbolism of the political and social conditions in one of the syrian cities, which was evident in Hanna Mina’snovel titled « The Sun on a cloudy day » and the title itself directed by Mohamed Shaheen, turned into a Drama film.Each one of them approched the historical contexte that represents the reality at any given moment.

The characters in this film were differents,one fiddle with the French occupation, and the other trying to prove himself by himself, with shows the social complit in all its contraditions.

In this article I have folowed the descriptive analytical method, as we Believe it is the appropriate method for the subject of this article.