شعرية الصورة بين المحكي الروائي و العرض السنيمائي : رواية فضل الليل على النهار لياسمينة خضرا أنموذجا

Abstract EN

This study attempts to provide a theoretical and applied framework on the mechanisms followed in the production of image poetry between the narrative novelist and the film narrative, and to highlight the peculiarities and system of operation of each of them, and given that the narrative novelist in its transformation into a movie will be subject to a set of changes imposed by the characteristics of the cinematic language, it will be determined The differences resulting from the transfer of the elements of the pictorial structure of the narrative from its verbal form to the cinematic form, and how the film director can employ the technical elements and impart an adequate and effective technical treatment formula related to how to achieve the poetic image in the cinematic film.