قراءة أنطولوجية للصورة السينمائية لدى جيل دولوز

Abstract EN

What deleuze seeks to prove is that cinema existed even in a world out of eyes”camera”, even in a world out of separated distance”montage”.

The study of the cinema brings us back to the origins of the first problems with a modern flavor .pure cinema doesn’t depend on people because it depends on everything that comes to the fact that everything is an eye in a way that montage gives us an explanation by taking us to the decentralization of the universe in whish everything is a center by itself, what made it capable of forming an image frame.

The philosopher invited us, through one synchronization to different angles, back to realism to identify the image as a invasive feeling which means the feelings as a pure act, recording every step in the way from an lumpy sensation image, to ask; did it leave the picture illusion behind ? has it reached the maximum meaning in the emotional image or did it leak it’s genes into all images to make them expressive even within realism ?.