الكتابة بالجسد في ثلاثية أحلام مستغانمي (ذاكرة الجسد، فوضى الحواس، عابر سرير)‎

Abstract EN

This study transcends the absurdity of the controversy surrounding the issue of the existence or mon- recognition of women’s writings, passing to the problem of practicing the act of writing it self, specially that she (woman) constitute a new revelation moment as well as a different view of writing which is (writing by the body), especially with the emergence of a new generation of Algerian finale novelists, whom set out to practice the act of writing from a deep awareness, lionize the theme of the body as considering it a female identity, starting from changing women’s position in the creative process to be the author instead of being the subject of relativity.

I selected to discuss the precious and other, the creative paper body (Ahlam Mosteghanemi’s trilogy (memory of the body, senses chaos, bed passerby) attempting to answer a set of issues like : how was the female body written in the Mosteghanemi trilogy ? how was the process of passing from the sensory body to the textual body ? the study frames the descriptive analytical me thud that is based on texts extrapolating and analyzing them as well as drawing conclusions.

probably the most significant is that the writing space of Mostghanemi shove off through attaching to the body, spun the text from the body with all meaning of the word, (text texture / body tissue) add a new flavor that enables us to smell Mostghanemi s aroma inside it with oat reading her name on her movels cover as we smell the female scent and attractiveness on it.