طابوهات الثالوث المحرم و تقويضاته في نماذج من روايات مغاربية

Abstract EN

(Dostoevsky) is considered the founder of the polyphonic novel, which is based on the multiplicity of voices and the multiplicity of forms of consciousness and valiantly confronts the oppressive self, the monosyllabic word and the tyrannical idea in order to make room for the other voice throughout the linguistic tape as another active subject.

the article is based on the hypothesis that the Maghreb novel contains several discourses that are hostile to the center and break its stifling restrictions (the restrictions of the forbidden trinity).

the most important results, the adoption of the Maghreb novel on diversifying its methods and discourses.

some of the loopholes that institutional literature has been silent about and refrained from delving into freely and boldly by violating the forbidden trinity and shaking its rules.

hence, we pose the question : -what are the taboo issues that the Maghreb novel dared to delve into ?.