أثر الأنساق الثقافية الثابتة في تشكيل الشخصية الروائية عند محمد مفلاح

Abstract EN

This study, over its cultural and structural approach, quests to bring to light the most foremost stable cultural patterns as one of the most noticeable mechanisms of cultural criticism in some of Muhammad Muflih’s novelistic works (peculiar obsessions, sufficient and tattoos, the collapse, Kheira and the mountains, a family of pottery, ...) and their impact on the personality building.

the novelist from her physical side (appearance, academic level, age, ...), and from her moral side (actions, internal description, ...), and accordingly she will try to answer a number of problems, perhaps the most important of which are : what do we mean by cultural patterns ? and what are its kinds ? what is its relationship to cultural criticism ? how did these formats influence the personality building of Muhammad Muflah through a group of fictional works written in different periods of time, given that the art of the novel is one of the most accommodating genres of cultural, social and historical references and ...

due to the countless varieties of its spaces, times, characters and its capability to contain the popular aspect that makes culture in society, just as the divers times of fictional works disclose the cultural systems in society between continuum and decline, this study incorporate content (cultural pattern) and form (character structure) in order to touch off the procedures of cultural criticism and not criticism of culture.