خطاب الحراك الشعبي الجزائري من خلال الكتابات الجدارية: دراسة انثروبولوجية

Abstract EN

This research paper comes as an attempt that we strive through it to understand the analysis and interpretation of the speech of the Algerian popular movement that appeared as symbols in the graffiti which still marginal but marginalized at the level of research interest by highlighting it as research topic in the anthropological studies by considering it order to understand and analyze these murals that loaded symbols and meanings by the practitioner (Graphers) in order to strip the reality through the details and the molecules which are strict and complex the macro and micro events with an important meanings and connotations that were included in the Algerian popular movement according to a chronological path and the demands of the people which have changed and differed from one stage to another according to the situation of the country and aspiration of the people also the recognition of the Algerian cultural privacy and its connection to the protest movement through this study we reach several results most notable one is that the wall graffiti is an individual creation which expresses the thought and the orientation of the group which in turn maintain the history of events.