تلقي الشعرية العربية القديمة لدى أدونيس

Abstract EN

Objectives: The research aims to outline the scope of Adunis’ critical vision, through his study of pre-modern Arabic poetic works.

The research also aims to identify the most important patterns for the horizons of reception, and their relevance to modernist critical views.

Methodology: The research required choosing the framework of reception theory, particularly the approach of horizons of reception.

Main results: It was clear that the poetic work, according to Adunis' vision, is too lofty to be restricted by critical theories, and the poet is not concerned with external authority as much as he is interested in creativity, both in terms of ideas and esthetics.

A creative poet, in order to be exceptional, unique, and creative, must believe in his present and his future.

It was also found that the pre-modern poetry was based on four comprehensive patterns, that manifested consecutively in the dynamic text, the astonishing text, the uniqueness of the poet, and their different experience.

The forward movement of time honed Arabic poetry, creating three poetic forms concentrated on the earthly, the divine, and the cultural transcendence.

Main recommendations: The researcher recommends that the patterns of the horizons of reception in Adunis’ works be studied, though analyzing his approach to modern and modernist Arabic poetry in its various forms, both old and new.