سلطة المكان في النص المسرحي العراقي المعاصر

Abstract EN

Stage texts take theatrical place as an important cognitive probe to identify the special dramatic identity, differences, enriching the theatrical texts with interpretation, speculation and tackling's aesthetics of spatial authority over the human self and activate the active mind and sensual mental instincts of the viewer to discover conceptual, psychological and social limits of the spatial authority structure.

The research includes four chapters, first one starts with research's problem which is determined with the following query: Is there a spatial authority in the contemporary Iraqi theatrical text? The research aims to discover the space authority in the contemporary Iraqi theatrical text.

The research's subject is specified with knowing the space authority in the Iraqi theatrical play for the period (1990-2015).

Second chapter includes theoretical frame with two sections: First section: Authority concept and its' psychological limits.

Second Section: Space authority in the theatrical text.

Third chapter includes population of research which consists of five Iraqi texts for the period (1990-2015), the play (Uzla in crystal ) of the writer (Khazael Almajidy) for analyzing purposes and extracting results according to depictive method.

Most important results of the research are : 1-The space authority is realized sensually and psychologically by the viewer due to conflict between time and place limits.

2-Space authority gives negative energy due to dominating purpose and restricting freedoms.

3-Appearances of exile problems, identity, self and other according to narrative phantasy methods get formed in space formations and its' authority.