جماليات الشكل و المضمون في نتاجات الخزف القاجاري

Abstract EN

It has become axioms to consider the shape as a kind of (a decorative accessory) that provides an aesthetic entertainment value, while the guidance process that is related to the content was moving forward according to what was planned.

A change in form occurred in response to the requirements of the content.

This indicates the strength of the interrelationship between form and content in the aesthetic artistic achievement, which has shown its impact in the Qajar arts, represented by the ceramics that represented the aesthetic dimension on both levels (form and content) from here came the study (the aesthetics of form and content in the products of Qajar ceramics), which includes four chapters, The first chapter is devoted to clarifying the research problem, which is summarized in the possibility of answering the following question: What are the aesthetics of form and content in the products of Qajar ceramics? The first chapter also included a reference to the importance of the research and the need for it, and the identification of the most important terms.

(1779-1925 AD).

As for the second chapter, it was devoted to the theoretical framework and the most important indicators, as it included two chapters, the first of which examined the concept of beauty, and the other was a study of form and content in art.

With the sample analysis tool and defining the research method (descriptive approach) and then analyzing the research sample consisting of (3) models, while the fourth chapter is devoted to reviewing the results, conclusions and recommendations, and the most important results are: Among the most important findings of this study: 1.The aesthetics of form and content in the Qajar ceramic scenes have two characteristics: A- She showed the aesthetics of form and content through the transformation from a previous formal system to a new structural system according to a new vision, governed by building mechanisms (elements: line, on, harmony) and relationships and the most important conclusions: 1.Art continued in this period on the approach and characteristics of Islamic art according to the principle of flatness.

2.The appearance of glamor, adornment and flowers, which showed its effect on fashion.

Followed by recommendations and suggestions, a list of sources and references.