النص الموازي و تجلياته في شعر فاضل عزيز فرمان : (متى تتفتح الوردة؟ )‎ أنموذجا

Abstract EN

This research is an attempt to investigate the parallel texts in the contemporary Karbalai poem represented by the poetry of the poet Fadel Aziz Farman.

Recently, the Arab monetary institution began to pay attention to it as one of the important monetary research projects particularly after the manifestation of this discourse (the poet’s poetry).

This discourse comes in a period considered one of the most critical periods that witnessed the rise of the creative voice calling for the need to change from what was prevalent in Iraqi poetry.

It targets those marginalized areas to become, according to the new reading, a central revealing of their structural, stylistic and semantic functions and activities.

This research arose in order to investigate its implications, and to reveal its secrets and relationships, inquiring does it gain its entitlement from the text, or does it gain its entitlement? Can it be replaced with its own connotations? Then what about the ways of meeting it with the text, especially when its sender differs from its sender? These are the research question of the study and the starting point for the hypotheses adopted and sought to be proved or refuted.

The research is divided into two sections, the first deals with the parallel text, the outer and the inner, and the second comes to approximate the epitaxial meta-parallel text, such as the distant heterosexual approaches (critical readings), which were supplemented by a conclusion whale the most important results that concluded from this research.