مقارنة بين القصص القصيرة ل (صادق شوبك)‎ و (نجيب محفوظ)‎ من منظور السيميولوجيا الاجتماعية

Abstract EN

It is necessary, but not enough, to understand their language to communicate with people.

acquaintance with the culture and signs existing in any socio-cultural system is a fundamental condition for understanding messages' explicit and implicit meanings and understanding others.

semiotics seeks to find the meanings of signs, referring to this verse : you see hair, but Majnun hair curling / you see eyebrows, but he eyebrow gestures it can be said that semiotics is one of the essential knowledge to understand your meanings in work and to explain it to others.

social stories are often purposeful and influenced by the author's inclination.

in these stories, the characters and events are represented so that a specific mental image of them is imprinted in the audience's mind.

storytellers express their thoughts implicitly or explicitly in and within texts.

the ideologies presented in such texts can be explained using the model of social semiotic analysis.

the social semiotic analysis explains the explicit or implicit meanings of the text by examining the interaction between social power and discourse.

the stories of Sadeq Chubak and Naguib Mahfouz depict the deprivations and social, economic, and intellectual disorders of ordinary people living in poverty and lacking in traditional societies.

these two writers came from within such a community, and because they were familiar with the pain of the locals, they portrayed their living conditions well in their stories.

the present article seeks to examine the short stories of Sadeq Chubak and the two short stories collections “dream” and “honeymoon” by Naguib Mahfouz using social semiotic techniques to find the implicit and labyrinthical meanings of the social signs in these stories can be explained and compared.