التلقي النقدي لتيمة العنيف في الرواية الجزائرية

Abstract EN

Scholars often dealt with the concept of the event in terms of the general theme or the story that the novel deals with.

So, if the event in the classic novel takes its historical and realistic attributes, while it is also distinguished by the logical serialization of the nature of things, the succession and sequence of events, in the contemporary novel, it is made by the reader, because he is the one who bears the troubleof rearranging the disassembled and disconnected events.

In fact, most critics have unanimously agreed that events are derived from human experiences, different life experiments, and the tragedies experienced/undergone by nations and societies.

As a result of the Algerian nation's richness and the various events, experiences, and tribulations/ordealsit has gone through, violence / death and the homeland constitute a distinct duality, and are considered among the most important axes that represent the basics of shaping the Algerian writers' narrative discourse.

And if there are other axes, it is the event, in the contemporary Algerian novel, of love, symbol and legend