الممارسات الاجتماعية للمخدرات الرقمية عبر الإنترنت في ضوء منهجية الأثنوميزودولوجيا : دراسة سوسيولوجية

Abstract EN

The study aimed to identify the intellectual components of digital drug music, in light of the methodology of digital ethnozoology, and the data collection tools included an analysis form for video clips (in light of the process of building a coding framework), and an analysis form for audio clips (in light of the process of building a coding framework), as well as Online practices and actions (echo analysis), in light of the theoretical orientation, which was represented in the theoretical package of audio experiences, social practices, and land theory.

The analysis materials were relied on in a deliberate manner according to what appeared in the online search with the keywords used for the current study, which were (digital drugs, hallucinogenic music, electronic drugs, digital drug), and the analysis materials for the current study amounted to (15) video clips.

As well as (15) audio clips spread on the Internet.

The study reached results, the most important of which is the presence of negative consistency between the intellectual components of digital drug music and its elements, in terms of the form of music, and the rituals followed.

Repetition only without awareness of the extent to which he understood the sound or did not understand it in a disturbing rhythm, and the static musical rituals used referred to meaningless gelatinous music, and the animated musical rituals of digital drug music were characterized as dissonant and illogical.