مسرحية "منمنمات تاريخية" للكاتب سعد ونوس: مقاربة ثقافية

Abstract EN

The knowledge scene today witnessed a number of transformations that represented sectors of all kinds and diversity in all fields, and the clearest and most prominent thing in this transformation was what was in the late last century with post-structural or post-modern trends, so its theories were distinguished by the strength of liberation from the constraints of concentration.

Exposing Arab institutions, breaking away from tradition, openness to others, fighting the language of a closed structure, caring for the stranger and the marginalized, and caring for race, gender, color, gender and other concepts.

Pausing and contemplating the cultural scene of this century reveals to him the extent of the overlapping of concepts, the complexity of theories, and the abolition of the boundaries between the various fields of knowledge, including The field of "cultural criticism", which is considered one of the most important trends of modern and contemporary critical thought, and what resulted from the idea of postmodernism and its cognitive role transcended the linguistic concentration of the textual lexicon to the symbols of cultural discourse and its unlimited openness.

As for what happened after that, I mean postmodernism.

Cultural texts of all kinds to reveal their implicit cultural significance within the spaces of the text, which is a continuous and permanent embodiment of cultural sentences and it transcends the signifier and the signified that I refer to.

Doucer, the linguist or linguist, referred to it as the sign that extended the mark within the limits of the linguistic system, and kept it away from cultural symbolism and its social, cultural and cognitive interaction.