فانتازية مسرحية "كمدى كرونا" ل حسن سالارمنش

Abstract EN

Fantasia is one of the most important literary forms that have dominated Iranian theater recently.

it has attracted the attention of many contemporary Iranian writers during the past two decades, as a number of these have been using it to change the construction of an unacceptable reality with its usual laws and rules.

to reach a reality that can be experience.

perhaps the contemporary Iranian writer “Salar Manesh” was one of those who pursued fantasy in most of their creative works, when he presented the catastrophe of the corona pandemic in a way that transcends his real world to another world that belongs to fantasy.

and “Salar” is considered one of the most important Iranian fantasy books on the level of the short theatrical text.

because he employed the fantasy creative imagination in all his works, especially in his play “Kamda Corona” when he presented the most important political and social issues of his society in that satirical fantasy style; so that his theatrical experience acquires a new Iranian creative vision, with its artistic and objective value to the world.

from this point of view, this research deals with the study of the play “Kamda Corona, Pandemy 19” (corona comedy or the COVID 19 pandemic) by “Hassan Sala Rmanche”, where the research was divided into an introduction that dealt with the research problem and its importance, its objective and previous studies, and a theoretical framework that came under the title: the first topic (the writer and his theatrical production and fantasy in Persian literature), as for the applied framework, came under the title: the second topic (the elements of fantasy in the comedy corona play), which sought to analyze the technical aspects of the text.