البعد الإنساني للنظرية الجمالية عند (ثيودور أدورنو)‎

Abstract EN

In this intervention, in general, we try to highlight the human dimention in the thought of (Theodor Adorno), who is considered one of the most prominent figures of the (Frankfurt Critical School) as he presented, like his peers who represented the school, a philosophical- critical project of an artistic nature, which includes all levels of life in general (social, economic and political) and especially (cultural) ones, in order to overcome what has become known as the “instrumental mind” or “the crisis of rationality” that emerged as a result of the scientific and technological tide that the world has know in the twentieth and twenty- first centuries, and to restore consideration to the human aspect, and the solution to that was when (Adorno) is the “Art” in which he saw the appropriate space to overcome the crisis of positive sciences in its various froms.