التناص النثري في شعر جاسم محمد جاسم

Abstract EN

The paper deals with the phenomenon of prose intertextuality in the poetry of Jassim Muhammad Jassim and makes the prose literary art an example of it.

As it is a critical literary artistic phenomenon that overwhelms the poetic text with the desire and conviction of the poet himself, for a purpose and intentionality suggestive on the occasion of functioning, after he found in intertextuality an appropriate field for his poetic experience.

The study works on identifying poetic texts that contain prose intertextualities represented by eloquent and popular proverbs, as well as sayings and judgment.

It is produced in the form of a present text that simulates today's recipient in its own style and adheres to the unity and integrity of the ent subject.

This is due to the influence and interest in the prose literary heritage and the work to broadcast and reproduce it so that it puts the reader in front of a new vision represented by interrogating the ent texts and placing them in the modernity of the age.

The study shows the artistic overlap of prose and poetry in the light of an artistic, literary and poetic experience that relied on a knowledge culture and relied on a broad background that sought accuracy, honesty and intellectual maturity in practice.

It also shows the previous texts as an image documenting the ent facts and seeking to frame it with the word present in order to give it renewal and interaction.

So it is proceeded to evoke and overlap according to textual mechanisms that root the previous text and immerse it in the body of the present text under a critical term known as intertextuality.