تأثير الموشح العربي الأندلسي في الموشح العبري : دراسة في النشأة و البنية

Abstract EN

Arabic Jarchas (Close-Ups) are considered one of the most outstanding features of the Arabic presence in the Andalusi Hebrew poetry in general and in the Andalusi Hebrew Lyric in particular.

The power of this presence attained its importance through its influence in the Hebrew lyric and in establishing itself in its structure whether by way of the Arabic Dictionary or by the musical reality it imposed upon the Hebrew lyric.

This is because the Jarcha is a close-up similar to all the other endings of the lyric.

It contains all the Jarcha features such as the number of its rhythms and rhymes.

Therefore, all the other Hebrew close-ups in the Hebrew lyric followed the Arabic lyric which imposed itself in the last form of this lyric even if it is limited in size compared to the other constituent close-ups of the same lyric.

Arabic Jarchas took various forms within the Hebrew lyric.

They are classified into several branches, rhythms, and rhymes.

The more features, branches, and divisions they took, the more close-ups they adopted.

These Jarchas were written in Arabicized Standard Arabic, in Arabic vernacular, in nonArabic language, or in a mixture of both Arabic and non-Arabic language.

These Arabic Jarchas have and are characterized by their unique language dictionary.

The importance of this study stems from the fact that this topic has not been dealt with in Arabic and foreign studies.

It has been found that the Arabic Jarcha in the Hebrew lyric did not receive enough of the in-depth studies on both the Arabic and the Hebrew levels except in accidental cases or through discussions on the structure or the music of the Arabic lyric.

This study came up despite the difficulty of searching in the Hebrew studies on the one hand and the rarity of foreign and Spanish references on this topic on the other hand.

Among the objectives of this study is the clarification of the connection between Arabic Jarchas and the Hebrew lyrics intertextualized in them in addition to making that large number of Arabic Jarchas in the Hebrew lyrics available to readers and scholars.

This is done also through clarifying the dependence of the Hebrew lyric to the Arabic lyric in Andalus through Arabic Jarchas.

Arabic Jarchas refer to this dependence on one hand and some of them refer to an attempt for independence on the other hand.

These are findings reached at in this study.

The topic of this study is divided into three parts: First, The Jarchas of the two lyrics; the Arabic lyric and the Hebrew one in terms of their types and conditions or rules.

Second, The Arabic presence in the Andalusi Hebrew lyric by way of Arabic Jarchas.

Third, a list of a large number of Arabic Jarchas that existed in the Hebrew lyrics.

The study concluded with the most important findings and recommendations.