النقد الثقافي : مفاتيح جديدة في قراءة النصوص الشعرية

Abstract EN

The paper attempted to shed light on the as¬pects of the Arabic poetic text, according to the proposals of Cultural Criticism whose critical view exceeded the texts beyond their languages, as a window to the thought and thinking that were the reason for its composition.

Accord¬ingly, the paper dealt with poetic texts from different eras, and showed the differences between their cultural patterns, relying on Hermeneutics as a tool in approaching texts and analyzing their dimensions, within the following titles: First, Theoretical Background: It dealt with cultural criticism, and explained its importance in handling poetic texts.

Second, Pattern Interaction: Through pattern interac¬tion, the researcher dealt with dialogue and intertextuality, showing how each of them includes two interacting cultures which, being negative or positive, unite together in order to convey a trend of thought that represents the poet, society, or age.

Third, A Momentary Critique of Texts and Cultures of the Ages: Through poetic models, this part clarifies the dif¬ferences that appear in the thinking of the Arab man, es¬pecially: Andalusian and Jahili, and presented a distinction between the nature of each of them in dealing with women.

Fouthly, Changing Understanding Passages: In this part, the researcher analyzed poetic models whose cultural aesthetics were ignored by scholars, show¬ing that they represent a bright dimension of the Arab man’s culture.

Fifth, The Text Includes Multiple Cultures: This part presented an example from Abu Nawas’s po¬etry, through which the researcher explained the ability of cultural criticism to penetrate into the depths of poetic texts, and discover the cultural connotations it hides, especially when we see that the given example contains several ideas on which the cultural reading of texts is based.