المستوى الصوتي في بلاغة الخيال عند ابن زيدون (٤٦٩ ه-١٠٧٠ م)‎

Abstract EN

Praise be to God, who has completed the credit, and to Him belongs all goodness, and prayers and peace be upon the Hadi, a prayer that earns us his intercession, and his family and companions.

But After: The Arab heritage was filled with a large number of famous poets, but many of them did not study the vocal level, an artistic study that sheds light on the poetic genius of the poet, and perhaps Ibn Zaydun is the clearest question on this, as he is a poet who received a lot of attention in studies on the history of Andalusian literature and represents an icon of creativity.

In Andalusian literature, there is no doubt that the sound level in its internal music represents the spirit and essence of poetry, and it is one of the basic components through which the poet expresses his thoughts and feelings.

Rather, we do not exaggerate if we say that the sound level in poetry is one of the main reasons for preserving it and reaching us.

Hence, I found myself strongly inclined to write about the vocal level of Ibn Zaydun, and I dealt with the changing music, which was represented by repetition, alliteration and counterpoint, and did not touch upon the fixed music; In order to avoid repeating what others have written about it, and given the importance of this topic, I have made my best efforts in this research, trying to show Ibn Zaydun's poetic ingenuity and his deep experience in this field.

My research included the phonetic level of Ibn Zaydun on three demands, and I made the first requirement repetition and it included repetition, including the repetition of the letter, the repetition of the word and the repetition of the verb.

And a negative counterpoint, then the research ended with a conclusion that included the most important results that were reached in it.

In my research, I relied on a number of sources and references, including the secrets of rhetoric by Abdul Qaher Al-Jarjani, the style that includes the secrets of rhetoric by Yahya bin Hamza Al-Alawi, the jewels of rhetoric in the meanings and the statement and the Badi by Ahmed Al-Hashemi, and the office of Ibn Zaydun and his letters by Dr.

Ali Abdel Azim.

And the music of Arabic poetry at Ibrahim Anis and other sources.

I also hope that this research will be one of the building blocks of high-level studies that draw attention to poetry and highlight the potentials of creativity in it.