سمات التفرد بموضوعات الخزف الإسلامي في إيران

Abstract EN

This research is concerned with studying (the uniqueness of Islamic ceramic topics in Iran) and it is divided into four chapters.

the first chapter is devoted to explaining the research problem, its importance and the need for it, its goal and limits, and defining the most important terms contained therein.

as a research problem, it dealt with Iranian ceramics and the topics related to it, which included two questions: (do Iranian Islamic ceramic dishes have unique topics?), (what is the specificity of these topics and the most important features of their uniqueness?), the importance of revealing an important aspect of the history of Islamic art, which shows some observations for scholars in the field of specialization.

as for the goal of the research, it was to reveal the unique features of Islamic ceramic subjects in Iran, and the time period was defined as (the tenth and eleventh centuries ad).

as for the second chapter, it included the theoretical framework that came with two chapters, the first was concerned with studying the topics commonly used in Iran, and the second topic was focused on studying the technical technique in Iranian ceramics.

and the third chapter, it was devoted to research procedures and defining his community and his sample according to objective bases, and the researcher relied on the most important indicators that resulted from the theoretical framework in analyzing his sample after it was selected and within the descriptive analytical approach, and the research dealt with (five) samples divided over the time period.

finally, the researcher reached several results that are consistent with the research objective, the most important of which are: 1- the pictorial composition of subjects in the ceramics of Iranian Islamic art does not work on the principle of sharp symmetry, but there is an opposition that does not depend on the similarity between the sides of the opposite elements.

2- there is a structure of transformation in the human form in the subjects of Islamic Iranian ceramics.

3- the themes of ceramic dishes were characterized by giving the person and his body a center in the structure of formations and making him the axis around which the rest of the assets, elements and vocabulary revolve.