آليات اشتغال الورشة المسرحية ومخرجاتها داخل العرض: عرض الواقع والحلم للمخرج مخلد راسم إنموذجا

Abstract EN

This study includes four chapters it's about a study (the working mechanism of the theatrical workshop and its outputs inside the show the reality and dream presentation by director Mokhaled Rassem Namoja).

how does it function, too? the research's significance was shown by the fact that it (which encourages the growth of workshops produced for performing arts and is recognized as an important tributary in attracting new generations) and its necessity were both made clear (opens new horizons in the definition of the performing workshop system that turns into a show and the possibility of its employment, which contributes to the production of new qualities of the ideas belong to the contemporary arts of presentation).

the research's spatial and temporal boundaries were set at a model that was presented in Baghdad in (2015).

a presentation on the level of mechanism and operation, such as spatial space, the art of daily narrative, self-generation, investment, and construction, which all contribute to the installation of a performance belonging to contemporary performing arts that seek to formulate ideas that adopt various concepts in the course of research, investigation, and innovation in the formation and composition of the arts of presentation that are concerned with addressing issues it advances civilization and social life in a creative method that is distinguished by depth and simplicity so that the presentation reaches the greatest possible audience of who actively participate in the event-building process, and the researcher developed a number of theoretical framework indicators, the most significant of which are (montage techniques, cutting and pasting, trimming and shedding, for the performer's text sequences to be present and effective in the formation and installation of the general presentation line in the workshop proposals that turn into presentation), and the third chapter, which is (procedural framework), was finished.

using a sample called (reality and dream) offered by the performance producer for the workshop (Mokhaled Rassem) at the experimental theater forum in Baghdad in 2014 as a guide for doing an intentional analysis of the sample, the workshop that transforms into a presentation revealed new jobs suggested by the exercise in which the performer as a text is far from the readiness of literary texts and directors' scenarios.

the fourth chapter contained the most significant results, and the conclusions were the most significant (the workshop that transforms the presentation gives an ample space of freedom and democracy in choosing topics that contribute to the exploration of performance patterns and models characterized by novelty, diversity and reliance on biography).