إستخدام التكوينات ألخطية في تزيين أقمشة ألازياء النسائية

Abstract EN

Arabic calligraphy، with its diversity of formations and calligraphic forms، and the diligence of calligraphers to create and invent forms that do not exist in nature، still raises many questions and opens wide fields of research and investigation to address its formal and creative structure.

Optical.

Therefore، most of the designs executed on fabrics and fashion in general express Arab belonging and originality، did not depart from the Islamic spirit، which is a prominent feature in ancient Arab societies because it did not ignore the civilizational heritage that was filled with Islamic civilization.

The arts in the Islamic society، and Arabic calligraphy has received a great deal of study، proficiency and development، so creativity appeared، as the Muslim artist found a purpose in Arabic calligraphy in all Islamic eras، especially the Abbasid era، which witnessed a lot of artistic development، which expresses the accumulation of experiences and skills، he used Arabic calligraphy In the early days of Islam for the purposes of decorating the walls of mosques from the inside and outside.

Hence، this decorative art must actively participate in enriching the designs of Islamic fabrics and costumes because of its high compliance and aesthetically superior consideration and expressing the originality of the Arab spirit.

The terms used، and the second topic included the theoretical framework.

Which included the following topics: First: Types of calligraphic formations، Second: Decorative formations for Arabic calligraphy، and the topic of intellectual aesthetic taste for the art of decoration، Third: Symbols in the Islamic heritage As for the third topic، samples were presented for the latest Jalabiyas implemented in Dar Shabaad Fashion، which included vocabulary selected from The aesthetics of Arabic and Islamic fonts، then the most important results and recommendations were included، and finally a list of sources and references