المفهوم في التشكيل الفني السعودي المعاصر بإسلوب التجهيز في الفراغ : دراسة تحليلية

Abstract EN

Many researchers and thinkers in art have agreed that the twenty-first century witnessed artistic transformations and endless continuous attempts that affected the plastic arts in its branches, and included performance methods, artistic concept and materials used in formation.

The Saudi plastic art is one of the most important areas in which the manifestations of heritage and civilization of the society emerge and is based on general foundations and rules represented in: ideological, philosophical, social, psychological, and cognitive foundations, and special foundations related to the performing skills of the artist, his techniques and his use of technology.

(Bajammal, 2014 AD, p.

57).

Contemporary Saudi artworks are characterized by the imprint of heritage, national and Islamic identity, and their approach to religious principles, Saudi social life, society's heritage and civilization.

Accordingly, the research problem was determined in asking about the possibility of benefiting from the analysis of contemporary Saudi fine works and the messages they carry and their impact on the art of the concept and the art of processing in the vacuum, through analyzing them to identify the materials used to communicate the idea of the work.

The research found the diversity and difference in the ways contemporary Saudi artists approach conceptual art in the style of installation in the void in terms of materials and their various combinations.