جدلية المادة، الصورة، و الروح في الفكر الأكبري

Abstract EN

The follower of Sufi creative texts is surprised by this amazing escalation of the new connotation derived from the old connotation, and it is no wonder that our Arab heritage is a space that allows the imaginary energy to cross into the beyond and the infinite.

Ibn Arabi, as a descendant of a group whose heart talks about its Lord, crystallizes many concepts, and was able to combine what is purely spiritual, and what is perceptible sensory, and between the unseen and the scenes, and it was not for the contrast of terminology, and what he hoards of an ancient cognitive load to hinder his vision related to the origin, or the truth.

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Perhaps in the dialectic of matter, image, and spirit, which is the subject of our discussion, what makes clear his vision connected to the horizons, and how he created intimate bonds between them in the shadow of divine love;