التمثلات البصرية للعلامة الصوتية : مقاربة سيميائية

Abstract EN

The study aims to deepen a renewed research horizon, stemming from the remains of the questions produced by the field of semiotic work, which tends to investigate the impact of the sign and its representations and to reveal the semantic charges that it exerts in the linearity of discursive and communicative linguistic and non-linguistic models.

and while research on the visual sign has conquered very advanced stages, relying on the authority granted by the skill of visual perception to dismantle the senses and trace the effect of the hermeneutic journey of semiosis, the queen of speech has always been eluded and difficult to apprehend, given its materiality and its unstable acoustic specificity.

however, the significant leap experienced by sound studies, especially in the experimental fields, when they were able to fix the forms of speech and sound through spectral representations and images, opened new horizons in the methods of parsing and reading formats.

of the spoken word as a visual form that can be subjected to the same procedural methods of semiotics that have been combated in the representations of the sign carried out by image formats and visual forms.

Jacques Funati pointed out the possibility of directing this subject, if we were given the possibility of limiting the differences in the character of the sound by identifying the variations which we perceive in the vocal tessitura of the sound beams, and then we will necessarily be able to process any sound separator after installing and visualizing it by spectroscopy as a visual format capable of analyzing its semantic transformers and communication functions.