رواية قالون من منطور علم الأصوات : القسم الثاني : الصوامت

Abstract EN

This research deals with the consonants in the narration of Qaloon from the perspective of phonetics, and what they are exposed to when they meet each other, and it is manifested when the similar, convergent or homogeneous sounds meet; and in the behavior of the Noon Sakeena and Tanween in the continuous fabric of speech, and what results from clarifying it, merging it, turning it over, or hiding it.

Among the acoustic issues that the research is concerned with are the issues of Tafkheem and 'Tarqeeq' in the Raa (ر) , and the study of what happens to the Yaat extra (ياءات), as the research subjects the mentioned issues to the contemporary acoustic perspective, It becomes clear what happened to it in terms of its changes due to the phonetic laws if it is adjacent to its union in a place and a manner of articulation, or to its convergence in the place of articulation.

The research adopted the descriptive approach as a means to reach its goals.

One of the media used to explain what happens to the long and short vowels is the phoneme in Arabic letters and the international phonetic alphabet, and that because of its feature of distinguishing between vowels and semi-vowels, each of which has a symbol that shows it, as well matching between the sounds that are merged in each other and overturned to another.

The source of the narration of Qaloon in this research is the book (The Origins of the narration of Qaloon from Tariq al-Shatibya, by Sheikh Muhammad Khalil Azrouq), where he mentions the text of the book in bold, then discusses, explains and analyzes the text.

The research reached the requirement of diphthongization (al idgham).

Qaloon applied the great diphthongization (al idgham) when two examples are meet, the first is made silent and then is merged into the second, which may lead to the meeting of two consonants in the middle of speech, but while it merged, the two consonants did not meet.

Qaloon disagreed with the readers’ sayings by merging الذال in الثاء as in the verse, in the Almighty’s saying (يلهث ذلك ), and he was right in that, because they were close to each other, and he merged them together according to the phonetic laws