الرسم بالنور و الرؤية الإبداعية

Abstract EN

The study aimed to identify the vision in the process of drawing with light in theatrical, cinematic and television dramas, to achieve (the identity and quality of the film, the beauty of the staff or the image, the sense of time, draw the viewers' attention to the locations of the events, the visual sense, imparting the expressive power to the subject of the film) in addition to identifying The difference in the level of creative directors ’skills according to the different variables (age, gender, academic qualification, experience, and artistic work).

A quota sample of (300) members of specialists from technicians in the field of lighting and directors interested in the drama field, as well as some workers who work in this field, including photographers, interior engineers, and graphic designers, were selected to achieve (the identity and quality of the film, the beauty of the staff or the image, A sense of time, drawing the viewers' attention to the locations of the events, the visual sense, imparting the expressive power to the subject matter The study found the following results: 1- Not to rely entirely, especially in the dramatic work, on the lighting technician, and to have a full implementation of the director's vision through the lighting technician, because it is the only one who has a complete perception of the implementation of the dramatic artistic work, and how to deal with it.

2- Painting by light is the secret of the success of most dramas and a major factor, given that they create high-level artistic cadres and images if they are used well.

3- Painting by light) through it we see the general atmosphere, that is, the artistic state of the story that is being produced, the psychological effect that the image must create among the viewer, from aesthetics, and to move the imagination of viewers and actors, thus sculpting the shapes of things, moving them, increasing their surplus richness and semantic and transforming things into symbols This can only be done through a creative director who contributes effectively to conveying the message poetically, to attract the viewer's attention and create a sentimental and emotional atmosphere, if best used and to employ it dramatically to increase the film poetically, aesthetically, and cadres of expressive significance.