قراءة سيميولوجية لخطاب العرض المسرحي بوصفه نصا

Abstract EN

As long as the theatrical show represents a visual space formed by audio, visual and dynamic formats, both linguistic and non-linguistic, it includes texts of (ٙ) that form the seventh text which is the text of the theatrical show, in line with the modern vision and the semiological approach.

according to this perspective, the speech of the theatrical show should be examined with the eyes that leaves the superficial view of unpremeditated judgments which that don't see the performance with an eye aesthetically trained because the problem concerned with way, according to it, the show comes out and then reads, if the reading (dictation) is backward, then no value is desired for it, and if it is aware , insightful reading that assimilates the consistency of the discourse, of the theatrical show then undoubtedly it will be of use at the technical, aesthetic and communication levels, and that's because the theatrical show consist of two systems: the visual system that the texts of the show make, and the conceptual system of the recipient and his awareness of the structure of the show speech as a perceptual and conceptual system.

the combination of these two systems is establishes the text of the speech of a theatrical show with its artistic, aesthetic, semantic and communicative dimensions.