تقنيات الغناء النسوي : المطربة مائدة نزهت إنموذجا

Abstract EN

During the twentieth century, the song was accompanied by changes, developments and movement of society, which reflected on its artistic and aesthetic nature.

these changes also contributed to the emergence of a new style of singing, which is feminist singing, which was one of the prominent manifestations during the second half of the twentieth century.

as a result of developments in society, many Iraqi singers emerged and were among the singers who appeared in the second half of the twentieth century, the singer (Maeda Nazhat), who represented an important stage in the history of feminist singing in Iraq and contributed to the crystallization of Iraqi singing through performance and its multiple and diverse techniques.

this study is based on the possibility of understanding a part of the various performan ce techniques in feminist singing and in particular the singer (Maeda Nazhat) to establish a reference or a starting point for further understanding and analysis.the research consists of four chapters.

-the first chapter comes with a review of the research problem from which the research was launched, then the importance and purpose of the research and its limits.

-the second chapter ends with defining terms.as for the second chapter, it may be ation of the concept of deals with a present first topicone of several axes: the singing techniques, the nature of human voices and their expressive characteristics, second and the most important components of performance techniques.

as for the eals with a number of , it contains a historical narration of female singing, as it dtopicwomen's voices.

-the third chapter consists of the research sample, which consists of two songs subject to scientific musical analysis and research methodology.

as for the fourth chapter, it consists of results, conclusions and sources.